“I’m going to reveal all my magicians’ secrets to you,” said Francesco Risso, with an apprehensive smile. The creative director of Marni was sitting in his office at the brand’s Milan headquarters, in the midst of preparations for his fall 2019 runway show — still three days away. With evening setting in, he was jittery after long hours of fittings and beauty run-throughs, and not too keen to draw back the curtain on the final stages of his work in progress. But after a bit of chatting about the new collection, the spirit took him. “Let’s go see some clothes,” Risso volunteered, bouncing out of his office chair and in the direction of his showroom.
Risso, a preternaturally boyish man of 36 clad in a floppy fisherman’s cap and a thick mint sweater safety-pinned together at the shoulder, bobbed through the building’s labyrinth of rooms — nearly deserted at this late hour — until we reached the long, white showroom where his stylists and designers were finishing their fittings. Racks of the new collection crammed the room; underfoot, dozens of full-page photos littered the floor — snapshots of the endless iterations of hair, makeup and outfits Risso and his team had cycled through during the day.
“Eroticism is the key to freedom and freedom of speech,” said Risso as he grabbed a gray checked wool blazer, deconstructed with bits of lipstick red satin poking unexpectedly through the open shoulder seams. The red in his new collection — a bit of seduction set against parochial wool — represents a provocation on his part against what he sees as an ever-more chaste society. “It’s a world full of censors,” said Risso, drawing a tight box around himself with his hands. “There’s never been such an incredible time for freedom of being whatever gender or sexuality you feel.” He added: “I just want to send the message of the beauty and joy of eroticism.”
Marni was founded by Consuelo Castiglioni in 1994 amid a sexed-up Italian fashion landscape of Dolce & Gabbana, Versace, Roberto Cavalli and Tom Ford’s Gucci; its unconventional, architectural clothing struck a chord with women hungry for an alternative. Risso became creative director of the brand more than two years ago, after Renzo Rosso’s Only The Brave conglomerate bought Marni out and Castiglioni departed. As Risso puts it, the house’s codes remain the same “but there’s an electric charge.” He added: “It’s not about objectifying the woman — you don’t need to show a nipple. It’s about neuro-eroticism. It’s about the senses.”
As the team tidied up the debris to prepare for the next day’s marathon of fittings, Risso, wrapped now in a patchwork scarf of black and white wool with red satin from the collection, hung up the ruched crimson skirt in his hands to head home for the night.
Three days later, on the day of Marni’s show at the Lambrate warehouse space, Risso was taxed after several days of fittings. “I love how the collection came out,” he said, standing by a photo board of runway looks. “But now we have to see if other people like it.” The backstage area was filled with scores of stylists dressing the first models in layers of scarf-neck dresses, kilt-pleated skirts and coats. At long, mirror-topped tables, a fleet of hairdressers furiously attached extensions to create geometric bangs, as makeup artists brushed shadow on models’ lids, or black paint onto lips.
Guests, arriving after six, crowded the bleachers inside a giant cube of speakers originally built for the Marni men’s show in January. A model in a darkly gothic wool coat split at the seams was the first to walk the runway; there was an occasional cheer as others followed in layers of shadowy colors punctuated by sultry reds and pinks, their necklaces of knee-length chains and Isaac Hayes-style chain vests swinging against their bodies.
Backstage after the finale, a throng surrounded Risso to offer hugs, kisses and congratulations. “Beautiful,” they each exclaimed as they embraced the designer. Risso, the nervousness of the week finally dissipating, stood in the throng with a beatific grin.B:
105期跑狗诗【这】【么】【说】【来】，【这】【等】【级】【差】【有】【些】【让】【人】【无】【法】【接】【受】，【还】【是】【董】【小】【白】【一】【行】。 【尤】【其】【是】【董】【小】【白】【那】【一】【百】【零】【二】【级】【挂】【在】【头】【顶】，【全】【体】【骇】【然】，【当】【然】，【这】【一】【来】【一】【回】【的】，【也】【就】【是】【擦】【肩】【而】【过】，【董】【小】【白】【四】【人】【根】【本】【对】【那】【些】【魔】【兵】【直】【接】【无】【视】，【他】【们】【成】【为】【了】【四】【人】【的】【指】【路】【标】。 【只】【是】，【就】【在】【他】【们】【临】【近】【第】【一】【座】【山】，【就】【快】【要】【看】【清】【那】【山】【的】【全】【貌】【之】【时】，【他】【们】【脚】【下】【的】【飞】【宝】【突】【然】【被】【强】
【当】【初】【在】【郭】【小】【道】【将】“【锦】【毛】【鼠】”【的】【尸】【体】【捡】【回】【去】【掌】【柜】【的】【脑】【子】【里】【蹦】【出】【一】【个】【想】【法】，【那】【就】【是】：【既】【然】【这】【里】【有】【一】【个】【假】【的】，【那】【别】【的】【地】【方】【呢】？ 【果】【不】【其】【然】，【经】【过】【白】【晓】【笙】【的】【笔】【录】【人】【的】【特】【殊】【情】【报】【渠】【道】，【几】【乎】【是】【同】【一】【时】【期】，【江】【湖】【上】【各】【个】【有】【名】【有】【姓】【的】【门】【派】【都】【被】【锦】【毛】【鼠】“【光】【顾】”【了】【一】【番】。 【这】【些】【锦】【毛】【鼠】【样】【貌】【相】【同】，【身】【形】【类】【似】，【就】【连】【说】【话】【谈】【吐】【的】【细】【节】【都】【几】
【在】【这】【片】【大】【陆】【上】，【斯】【卡】【迪】【亚】【公】【国】【与】【罗】【那】【尔】【克】【王】【国】【之】【间】【的】【战】【争】，【带】【来】【了】【太】【多】【的】【死】【亡】【与】【杀】【戮】。 【无】【论】【政】【治】、【科】【技】、【经】【济】【亦】【或】【军】【事】【与】【民】【生】，【斯】【卡】【迪】【亚】【公】【国】【都】【比】【罗】【那】【尔】【克】【王】【国】【要】【强】【大】【得】【多】。 【因】【为】【相】【对】【自】【由】【而】【人】【权】【的】【政】【治】【体】【制】，【大】【陆】【上】【的】【许】【多】【人】【才】【都】【汇】【聚】【于】【斯】【卡】【迪】【亚】【公】【国】，【在】【那】【里】，【顶】【尖】【的】【行】【业】【人】【才】、【大】【商】【人】，【渐】【渐】【拥】【有】【了】【与】【贵】
“【够】【了】，【景】【家】【的】【事】【现】【在】【还】【轮】【不】【到】【你】【做】【主】！”【景】【大】【舅】【绷】【着】【脸】，【怒】【斥】【着】【反】【对】【的】【景】【闵】【承】，“【那】【是】【你】【小】【姑】【的】【产】【业】，【你】【难】【道】【还】【想】【抢】【占】【不】【成】？” 【当】【着】【长】【辈】【还】【有】【小】【辈】【的】【面】【被】【这】【样】【呵】【斥】，【景】【闵】【承】【一】【下】【子】【涨】【红】【了】【脸】，【想】【要】【据】【理】【力】【争】，【可】【看】【着】【面】【容】【肃】【杀】【的】【景】【大】【舅】，【看】【着】【他】【发】【红】【的】【眼】【眶】，【景】【闵】【承】【突】【然】【像】【是】【被】【人】【抽】【走】【了】【所】【有】【力】【气】。 “【爸】，【我】105期跑狗诗【乙】【一】【没】【有】【回】【京】【都】【过】【年】【的】【意】【思】，【钱】【富】【贵】【等】【人】【便】【从】【京】【都】【赶】【了】【过】【来】【和】【他】【一】【起】【团】【聚】，【有】【阿】【秀】【的】【顶】【级】【好】【厨】【艺】，【年】【过】【的】【有】【声】【有】【色】。 【过】【完】【年】【后】，【乙】【一】【一】【边】【让】【人】【着】【手】【修】【建】【炼】【钢】【厂】，【港】【口】，【造】【船】【厂】【等】【三】【个】【项】【目】，【一】【边】【开】【始】【对】【渔】【民】【合】【作】【社】【的】【人】【员】【上】【海】【洋】【知】【识】【课】。 【经】【历】【了】【半】【年】【的】【猎】【杀】，【如】【今】【虞】【朝】【沿】【海】【有】【人】【居】【住】【的】【近】【海】【区】【域】【已】【经】【很】【少】【能】【看】【到】
【谷】【晓】【柒】【看】【向】【了】【苏】【一】【一】，“【没】【事】，【就】【是】【觉】【得】【你】【说】【的】【解】【刨】【有】【点】【过】【了】。” “【这】【个】【没】【有】【过】【吧】，【这】【很】【变】【态】【啊】，【你】【们】【全】【家】【都】【变】【态】。”【苏】【一】【一】【说】【着】，【搅】【拌】【着】【手】【中】【的】【咖】【啡】，“【这】【更】【确】【定】【了】，【我】【不】【能】【和】【陆】【航】【宇】【在】【一】【起】，【不】【然】【我】【这】【万】【一】【生】【孩】【子】【出】【点】【事】【怎】【么】【办】？” “【你】【和】【他】【结】【婚】【也】【生】【不】【出】【龙】【女】。”【谷】【晓】【柒】【低】【声】【开】【口】，【反】【而】【更】【像】【是】【在】【自】【言】【自】